What’s funny about this is there’s never been anything edgy about Jerry Seinfeld’s standup act. And as far as Seinfeld goes he was barely involved in the writing. That was all Larry David and other talented writers. Of 180 episodes Jerry Seinfeld had 18 writing credits and all of them were shared with Larry David. Of those 18 credits 5 were in the first season which is undeniably the show’s weakest and most forgettable. Jerry was always just the name. Larry was the talent.
I guess that’s probably why Larry David just wrapped the final season of Curb this year while never once complaining about “not being allowed to do comedy” anymore like Jerry is. Turns out, you’ve always been allowed to do whatever comedy you like, you just have to actually be funny.
It’s also funny because It’s Always Sunny in Philadelphia is still airing too, and that is massively more edgy than anything seinfeld ever did.
I think that the problem is that jerry want to be edgy and still be considered the good guy. Which is not how Curb, IASIP or even the Seinfeld tv show ever was. They always were presented as bad/flawed people doing bad stuff. You 100% can still do that type of comedy. But you can’t do comedy where the characters are supposed to be good but do bad stuff
It’s also funny because It’s Always Sunny in Philadelphia is still airing too, and that is massively more edgy than anything seinfeld ever did.
And that’s always been my argument when it comes to this particular dead horse. I don’t think any jokes are off the table, you just really have to make whatever discomfort you’re summoning be worth the punchline. The edgier something is the more it has to be funny to compensate, the point of offensive humor is to be funny not to offend, right? This has to be common sense. I don’t get how it flies over the head of so many people.
Exactly. Either risk it and have a big payoff, or insert a point behind it. Make the audience think after they laugh, or search within themselves why that was funny, or the context behind the joke.
Or if you go for the edgy or dark joke, and get called out - you rolled that die, live with it. Crying “it’s just a joke” or “comedy is cancelled” after your bit failed to land is hacky
There are a lot of people who seem to think offending is all it takes. I think Sam McMurray’s character “Glen” in Raising Arizona, who is constantly telling “jokes” about Polish people being stupid that none of the other characters find funny, is a perfect example of the type.
You know, why we’re here? [he means: here in the “Comedy club”] To be out, this is out…and out is one of the single most enjoyable experiences of life. People…did you ever hear people talking about “We should go out”? This is what they’re talking about…this whole thing, we’re all out now, no one is home. Not one person here is home, we’re all out! There are people tryin’ to find us, they don’t know where we are. [imitates one of these people “tryin’ to find us”; pretends his hand is a phone] “Did you ring?, I can’t find him.” [imitates other person on phone] “Where did he go?” [the first person again] “He didn’t tell me where he was going”. He must have gone out. You wanna go out: you get ready, you pick out the clothes, right? You take the shower, you get all ready, get the cash, get your friends, the car, the spot, the reservation…There you’re staring around, whatta you do? You go: “We gotta be getting back”. Once you’re out, you wanna get back! You wanna go to sleep, you wanna get up, you wanna go out again tomorrow, right? Where ever you are in life, it’s my feeling, you’ve gotta go.
seinfeld final episode:
It seems like whenever these office people call you in for a meeting, the whole thing is about the sitting down. I would really like to sit down with you. I think we need to sit down and talk. Why don’t you come in, and we’ll sit down. Well, sometimes the sitting down doesn’t work. People get mad at the sitting.You know, we’ve been sitting here for I don’t know how long. How much longer are we just going to sit here? I’ll tell you what I think we should do. I think we should all sleep on it. Maybe we’re not getting down low enough. Maybe if we all lie down, then our brains will work.
…what particularly about these bits is either edgy or genius?
So much of his standup depends on making initial observations of seemingly absurd things and then not putting a single ounce of thought or research into them to determine if they’re actually absurd. It’s low-hanging fruit for tipsy people at a comedy club.
He was utterly, perfectly cast as a supposed straight-man who’s just as callously thoughtless as his bizarre friends but with a veneer of “insight”. It was brilliant. I wonder if he quite realized why.
What’s funny about this is there’s never been anything edgy about Jerry Seinfeld’s standup act. And as far as Seinfeld goes he was barely involved in the writing. That was all Larry David and other talented writers. Of 180 episodes Jerry Seinfeld had 18 writing credits and all of them were shared with Larry David. Of those 18 credits 5 were in the first season which is undeniably the show’s weakest and most forgettable. Jerry was always just the name. Larry was the talent.
I guess that’s probably why Larry David just wrapped the final season of Curb this year while never once complaining about “not being allowed to do comedy” anymore like Jerry is. Turns out, you’ve always been allowed to do whatever comedy you like, you just have to actually be funny.
It’s also funny because It’s Always Sunny in Philadelphia is still airing too, and that is massively more edgy than anything seinfeld ever did.
I think that the problem is that jerry want to be edgy and still be considered the good guy. Which is not how Curb, IASIP or even the Seinfeld tv show ever was. They always were presented as bad/flawed people doing bad stuff. You 100% can still do that type of comedy. But you can’t do comedy where the characters are supposed to be good but do bad stuff
And that’s always been my argument when it comes to this particular dead horse. I don’t think any jokes are off the table, you just really have to make whatever discomfort you’re summoning be worth the punchline. The edgier something is the more it has to be funny to compensate, the point of offensive humor is to be funny not to offend, right? This has to be common sense. I don’t get how it flies over the head of so many people.
Exactly. Either risk it and have a big payoff, or insert a point behind it. Make the audience think after they laugh, or search within themselves why that was funny, or the context behind the joke.
Or if you go for the edgy or dark joke, and get called out - you rolled that die, live with it. Crying “it’s just a joke” or “comedy is cancelled” after your bit failed to land is hacky
There are a lot of people who seem to think offending is all it takes. I think Sam McMurray’s character “Glen” in Raising Arizona, who is constantly telling “jokes” about Polish people being stupid that none of the other characters find funny, is a perfect example of the type.
Yeah it was absolutely Larry David’s show. But Seinfeld is a genius stand-up comedian in his own right.
He’s categorically wrong on his conclusion here.
seinfeld pilot
seinfeld final episode:
…what particularly about these bits is either edgy or genius?
I’ve seen his stand up. It’s nothing special.
So much of his standup depends on making initial observations of seemingly absurd things and then not putting a single ounce of thought or research into them to determine if they’re actually absurd. It’s low-hanging fruit for tipsy people at a comedy club.
He was utterly, perfectly cast as a supposed straight-man who’s just as callously thoughtless as his bizarre friends but with a veneer of “insight”. It was brilliant. I wonder if he quite realized why.