loobkoob

And to prove your point even further: my friends and I went go-karting for someone’s stag do a couple of weeks ago and it was £50 per person for two fifteen-minute sessions. And that’s even more entry level than autocross, I’d argue!

We had to get there early, too, and get registered, get changed into overalls and helmet, etc. We had to go through an idiot-proof safety briefing. We had to wait for the previous group to finish their session. We had a break between our two sessions for drinks and to cool down / recover, and another session ran during that time, so ~twenty minutes there. All in all, our half-hour of driving probably came with around an hour and a half of downtime, which I think lowers the value proposition even more.

(Plus I got heatstroke during it and got increasingly ill as the day went on - and was unable to really eat during our restaurant meal or drink at the bars later in the day - which lowered the value proposition even more for me, ha!)

£100/hour of actual go-karting, versus £1/hour for most AAA games these days. I don’t tend to like AAA games that much, for the most part, but even with all their bloat, recycled content, open-world downtime, etc, they still seem like better value per money per time than anything motorsports-related.

Tom Cruise is an odd one for me. The idea I have of Tom Cruise is that he always plays the same character, is just a generic action star, etc. And then whenever I actually watch Tom Cruise in a film, I’m always really impressed by just how good an actor he is. But I still can’t shake the idea I have of Tom Cruise.

I have a similar issue with Brad Pitt, where my idea of him is that he’s just a generic leading man, despite him almost always putting in a really strong, nuanced and varied performance.

Yep. LLMs are great for bouncing ideas off, and for getting “soft answers”, but no-one should ever be looking for factual answers from them.

I’ve been separating Chris Brown’s music from his personality for a long time. I hated his music long before I know how terrible his personality is.

I don’t disagree, but gaming laptops are always overpriced. You’re paying a premium for the small form factor. (And I assume they also have the much less powerful RTX 4070 Mobile, which makes the value proposition even worse for laptops.)

Unfortunately for her, too. She might be successful, but she seems fucking miserable all the time.

I think it’s a film where most people are being objectified and in some cases pretty senselessly murdered! Sapper Morton (Dave Bautista’s character) is senselessly murdered. Joe/K attempts to senselessly murder Deckard. Joe/K is left to die on the steps at the end of the film. Ultimately, I think it’s less about any kind of gender divide and more that almost everyone is just a victim of extreme capitalism. Everyone is dehumanised in the name of profits. Everyone is made to compete with everyone else for what scarce resources remain. And that’s especially true for the “secondary citizens” the film largely spends its time with - replicants, women, orphans, poor people. Slaves.

If patriarchy and violence against women weren’t a problem or if the film were about those issues, then all good.

I’d go so far as to say that patriarchy, violence against women and fertility are major themes of the film. With replicants existing, we see a world where women aren’t needed to create life. With overpopulation and resource scarcity, we see a world where having children is less desirable anyway. The film’s larger narrative focuses on Wallace, who is very much patriarchal himself and also representative of the patriarchal ruling class in the setting, wanting to discover how to make replicants reproduce because breeding replicants would be cheaper, quicker and easier for him than building them from scratch.

Wallace is cruel, power-hungry, sadistic, and dreams of electric wombs - of a world where women aren’t necessary (because he only sees them in terms of their “function”) and he can play god. He’s very much painted as the villain - one gory scene shows him quite literally see him cutting into where the wombs of female replicants would be because he sees their infertility as a failure and something that makes them worthless to him.

Blade Runner 2049 goes far beyond using the sad prostitute and the destitute brothel to signify dystopia; it fully integrates them into its plot and takes a deeply anti-patriarchal stance.

It feels like other options were available and, TBH, using female objectification/ownership/subordination/violence as a vehicle and marker for dystopia is perhaps lazy and trope-ish.

I don’t feel like it leans into them so much that they become tropes, personally, and I don’t think men fare much better either. But while women’s sex appeal is commodified - quite literally with pleasure models, the most clinical, corporate name possible for sex robots - we also see combat models and blade runners commodifying violence. Some of these roles are filled by humans doing what they can to survive in a capitalist system trying to crush them; others are replicants or AI literally designed and manufactured for those roles. I don’t think any of them were used as markers for a dystopia so much as being part of the fabric of the world, the story and the themes.

For me, as much as I like the film, I don’t think it’s story and point quite get to the point of making what happens to women in it feel justified in our current era.

I really don’t think what happens to men in the film is much better. The film is miserable for everyone in it - it’s an equal-opportunity dystopia. The only person not being crushed by the world and the system is Wallace, and not only is he the oppressor (so, y’know, not much sympathy there…) but he also doesn’t come across as too happy either.

Perhaps a bit more like the story of the protagonist in BR 2049 (who’s of course male).

Joe/K might be the main character of the film but he’s not special, and that’s the point. His entire character arc is that he starts off feeling like any other replicant - ie, not feeling much at all because of all the emotional suppression - before daring to hope that he might be special and becoming more and more in touch with his humanity as a result. As the story progresses, he becomes convinced that he is indeed special. And then it turns out he’s not, and he decides to give up his life to help someone - a woman - and that is when he really becomes special.

Almost everything that happens to Joe/K in the film is at the direction of women. His boss - the police chief - is a woman. The person who implanted his memories - and who is responsible for implanting all replicant memories - is a woman. The person who leads the replicant resistance is a woman. His direct antagonist in the film - Luv - is a woman. A lot of his emotional development comes from being prompted by Joi, a female AI. Almost everything that happens to Joe/K ultimately happens because of a woman, because they are the ones who are really playing the game around him.

I think Blade Runner 2049 is a deeply, deeply feminist film. It doesn’t shy away from depictions of female objectification/ownership/subordination/violence - they are important for telling its story and getting across its themes - but it sure as hell doesn’t endorse them either.

When I saw the film I had some female friends tell me they felt uncomfortable with objectification and portrayal of women in the film. And I can’t disagree. But I always felt that there was an underlying truth to the dystopia of the film that explained that objectification, though perhaps does not justify it.

I think the film does justify the objectification, although it does still make me uncomfortable.

Joi is sold as an object / product in the film. We see her advertised all over the place, and I think we are supposed to see her as an AI girlfriend and feel a little sorry for Joe, at least initially - he’s replacing a real relationship with an object pretending/programmed to love him.

And then we start to realise that that’s not really the case. “Our” Joi has memories with him, and her personality with him is clearly different to the default personality we see in the advertisements. And so what if she’s programmed anyway? - that doesn’t make the feelings Joe has any less real.

The main theme in the first Blade Runner, and still a major theme in 2049, is having the audience ask themselves “is a replicant really any different to a human, really?”. The clearly have feelings and are defined by both those and their memories (implanted or real) in the same way “real” humans are, even if replicants were constructed. I can’t help but feel that Joi, and AI in general, is the logical progression of that line of thinking - if an AI is bringing up memories, emulating feelings, etc, then should you treat them any differently to a human? And does the influence the AI has on humans’ (or replicants’, which I think we already established to essentially be the same as humans) feelings not mean that AI can have just as much value to humans?

I think Joi being not just treated as an object in the story but objectified is kind of key to having people consider that. The first Blade Runner very much did the same thing but with replicants, and we’ve seen other media do similar with gender/race/sexuality/etc. It can be much more powerful to belittle/objectify/discriminate against a character and then tear that down and ask the audience to consider why it was wrong, than to just never bring it up in the first place.

I also just think the dystopia is kind of the point and objectifying women is a part of that dystopia. The film doesn’t revel in objectifying women but rather women being objectified is yet another thing about the film that highlights how dystopian it is. The film doesn’t try to normalise it in real life or make you feel comfortable with it; it just presents it to you as something that’s normal in the setting, similar to the huge amount of garbage, similar to the capitalist hellscape, similar to Las Vegas being an irradiated wasteland, similar to replicants being hunted down, similar to Joe being a replicant… Very little about the film is meant to be aspirational or comfortable - the opposite, in fact - and singling out the objectification and portrayal of women just feels a little odd to me.

I installed uBlock for someone recently. They complained about all the empty space where the ads used to be. So I removed the empty space by blocking that element with uBlock, which increased the width of the main body of the website, and they then complained that the website was too wide…

Some people are beyond help.

I don’t think the Steam Workshop is the issue here. I’m glad it exists, and direct downloads or snv links are still a reasonable alternative for mods that can’t be hosted on the Workshop for whatever reason.

It’s okay; I appreciate the apology! :)

I think it’s important to look for the nuance in situations and not treat everything as zero-sum. Both sides can have good points and be open to criticism at the same time (this isn’t an “enlightened centrist” take, I promise!). I think a lot of discussion online does tend to strip away nuance and take the position that if you show any empathy with one side then it means you must hate the other - I do my best to avoid that!

these people SHOULD be putting this negative pressure on them. It’s deserved

Was it not implied I agree with that when I said:

The angry customers and the state of the game are problems.

and;

• customers being disappointed and/or wanting a refund is perfectly reasonable
• people wanting the game to be better is also reasonable

I’m not going to defend the poor quality of the game because it’s obviously bad (from what I gather, anyway - I’ve not played it myself) and should be improved.

?

I don’t see why that would make my opinion stupid. Yes, the studio/publisher should be held to account for the crappy release. But a big part of holding them to account should be not giving them money for it in the first place; not just handing over money and then complaining afterwards. Complaining afterwards is reasonable for the people who did hand over money, but they should also hold themselves accountable for financially rewarding a company that puts out a crappy product - they’re part of the problem.

The angry customers and the state of the game are problems.

• it’s hard to feel sorry for people who pre-ordered because they got exactly what they paid for - a game of unknown quality and quantity of content
• it’s hard to feel sorry for people who bought post-release because they also got exactly what they paid for - a game where reviews detailed poor quality and quantity of content
• customers being disappointed and/or wanting a refund is perfectly reasonable
• people wanting the game to be better is also reasonable
• people abusing the devs is not reasonable

I’m not going to defend the poor quality of the game because it’s obviously bad (from what I gather, anyway - I’ve not played it myself) and should be improved. But I do think gamers could learn to be a little more responsible with their purchases and inform themselves before buying a game.

I’m pretty over the whole cycle of games coming out and not meeting expectations, people buying them anyway (through pre-orders or day-one purchases), people being unnecessarily rude/hostile/sending death threats to developers as if they were forced to buy the game as gunpoint. Yes, developers should try to do better, yes publishers should often give developers more time to polish up games rather than announcing the release date two years in advance and refusing to delay, but also consumers could really take some responsibility for what they decide to give money to.

The police didn’t actually arrest him, and I think the headline is a little misleading. Falter had been walking directly against the protest (and not attempting to cross the road like he claimed). The police stopped him and offered to escort him to his destination via a route that avoided the march. Falter refused and tried to push through the police officers and cross the protest march. The officers prevented him and told him he was free to go in the opposite direction, or that they would escort him past the protest, but that if he tried to go the way he was they would have to arrest him. It was clear they didn’t want to arrest him, and the officer offered probably a dozen times over the course of the ~15-minute interaction to escort him via a different route.

I think the officer did a good job of de-escalating, personally, and was incredibly patient in the face of Falter’s obnoxious, disingenuous antagonism. It’s a shame that there’s a single soundbite that, when stripped of context, portrays the officer poorly, but I think it’s clear to anyone watching the full video that the officer had no anti-semitic intent and handled the situation well.

The officer mentioned in the full video that Falter had been walking directly against the protest and wasn’t just trying to cross the road like he claimed. Which, “openly Jewish” or not, is a good reason to stop him, I think - for his own safety and the safety of the people in the march. And coupled with the fact that he very visibly is Jewish, it makes his actions seem a lot like a counter-protest - something the police generally try to limit or contain regardless of the protest subject.

The police officer had the patience of a saint, honestly. He offered to escort Falter to the place he wanted to go via a different route - so as to avoid the protest - probably around a dozen times. It’s very clear Falter didn’t really have any intention of getting to his claimed destination.

It also left Game Pass somewhat recently, which could maybe contribute.

If a car can receive OTA updates from the manufacturer, then it can receive harmful OTA updates from an attacker who has compromised the car’s update mechanism or the manufacturer.

There’s potential for a very dystopian future where we see people assassinated, not via car bomb but via the their cars being hacked to remove braking functionality (or something similar). And then a constant game of security whack-a-mole like we see with anti-virus software. And then some brilliant entrepreneur will start selling firewalls for cars. And then it’ll be passed into law that it’s illegal to use a vehicle that doesn’t have an active firewall/anti-virus subscription.

It almost feels like the obvious path things will go down. Yay, capitalism…

I’m not totally opposed to software being used in cars (as long as it’s tested and can be trusted to the degree mechanical components are) but yeah, OTA updates just seem like a terrible idea just for a little convenience. I’d rather see updates delivered via plugging the car in (and not via the charging port - it would need to be a specific data transfer port for security reasons). Alert people when there’s an update, and even allow the car to “refuse to boot” if it detects it’s not on the latest version. But updates should absolutely be done manually and securely.

It’s the length of the combined total working lives of an entire football stadium full of people.

The reason it’s overwhelmingly called “climate change” instead of global warming now is because of language change pushed by billionaire foundations.

I do think “global warming” struggles to convince some more simple people anyway, unfortunately. Because while the average temperature of the globe is increasing and causing the changes in climate that we’re seeing, I’ve come across far too many comments from people saying things like “global warming must be a myth because it snows more than it used to” and things themselves smarter than all climate scientists combined for that observation.

Of course, those same people probably think global warming is good because they like their summer holidays so perhaps their opinions shouldn’t matter much either way!

The idea that non-game software doesn’t involve creativity or spit balling or iteration is ridiculous. But from what I’ve seen it does involve a lot more waiting for consensus and thinking too far down the road, which are political activities aimed at being right (as measured by vice presidents) rather than productive activities aimed at getting something done or making something cool (as measured by your own name in credits of a completed work offered to the public).

I think the key difference is what the goal is. With non-game software, there’s usually a goal of we want something that achieves X - let’s create, spit-ball and iterate until we achieve that. X is a measurable outcome - it requires some creativity, spitballing and iteration, but it’s easy to see if/when you’ve succeeded.

With games, things are a lot more subjective. The goal is create, spitball and iterate until you have something that people find enjoyable. You just keep going until you recognise that you’ve got something worthwhile. It’s a “you’ll know it when you see it” situation, rather than something you can track your progress towards. Sometimes you can follow a formula/template and iterate on another games’ mechanics/systems and people will like it; sometimes you can do that and people will call it a soulless copycat instead. Sometimes games are technically good but just don’t feel enjoyable; sometimes they’re enjoyable despite any technical issues they might have.

Amazon and Google’s issues stemmed from treating game development like any other software development.