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Cake day: October 30th, 2024

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  • Nobody normal complains about politics in games, what people complain about is poor writing and US cultural idiosyncratic defaultism in games. Perhaps if ESA members hadn’t laid off the lion’s share of adult writers in the room to hire cheap, overwhelmingly ignorant, uneducated and straight out of college dev teams with a superiority complex, we could get good narratives. There’s a reason why everyone and their mothers keeps harping about indie games now, that’s where the laid off talent went, they make independent games now. But it’s cheaper to take “journos” to Disneyland than keeping a roster of devs with 10+ years experience. In the past, there was already a backlash on journos for their habitual prostitution to the companies they cover but that message was quickly erased in favour of “gAmErS aRe MiSoGyNiStIc”. Now, most traditional game news outlets are owned by a handful of holding companies, and most of their articles are AI generated drivel by, you guessed it, people not holding journalism degrees. Gaming journalism has become the off ramp of untalented and incompetent language/social science majors who are too inept to actually find a job in their field. That’s why we get this level of shitty journalism, because technically, they really don’t know what being a journalist is, from the ethics standards to the reporting without inserting personal bias. No self respecting journalist chooses covering hatsune miko’s latest release when there are so many conflicts in the world that need covering, so we get Felicity, Mars and Bruno, English major extraordinaires, who end up on a dead end career with wages capping at below 40k pounds per anum that justify their lack of journalistic ethics by “It’s the perk of the profession since we don’t get well paid”.

    There were more articles covering game character sexuality than the mass lay offs of the last two years that left entire families without sustenance. Then people are surprised that orange nazi cheeto gets elected by the dumb yanks? The megaphone holders for social issues have room temp level IQ. When was the last time that a “game journo” or major dev from a AAA outlet seriously addressed relevant issues like social inequality or poverty? Do yourself a favour and compare the google interest in the topics “transgender”, “hunger”, “unionization” and “lay offs” and tell me that it isn’t by design that an issue that affects an infinitesimally small percentage of the population has so much air time in comparison to an ongoing genocide and hunger crisis in the global south. I guess rich white teen problems are more serious than brown people dying. The bourgeois left has set back the class struggle for 100 years. Enjoy the hard right turn of modern western society.











  • What centrism? Calling out the bourgeoisie invented themes to distract from the class struggles is the duty of every reasonable person, more so if they are on the left. Human rights are not debatable, you vote for the representative that abides human rights. If none is available, you start a revolution. What you don’t do is use a neoliberal dear to proselytise as if you’re not part of the problem by perpetuating the system that abuses the people you’re soapboxing about. (you, as in, Bioware, not you, this is not meant as a personal attack, I came to lemmy to talk to reasonable people)





  • The game has no DRM, it’s entirely possible that a significant portion of those players gave it a go and were disappointed and decided not to spend the money.

    Personally, the game feels like a Josh Whedon film written by a team that prefers to proselytise instead of trying to capture the player in Thedas. It’s a constant barrage of immersion breaking dialogue from the get go. The combat has been dumbed down to such level that It should be advertised as an action adventure game and not an RPG. At the end of the day, the game ostensibly suffers from Bioware’s/EA choice to lay off talent like Mary Kirby and hire cheap, fresh out of college writers of dubious competence who were further mismanaged due to consistent lay offs. This was compounded by the reluctance of Connie to actually have a vision for the game.

    It’s saddening because there was a small glimpse of brilliance in the final moments of the game but by that point it had already become a chore to finish it.

    As a side note, my favourite game of the last few years is TLOU2. Sometimes the user reviews coalesce with one’s views, sometimes they don’t. Trying to paint tens of thousands of people with a broad stroke rather than at least listening to what they say is unfair. In this case it feels like the low user scores in DAV are warranted, since the game has significantly departed from the expectations of fans of the series. Conversely, in TLOU2, the users were mourning the loss of their favourite character and lashed out.