That’s wild. But theoretically they could make two separate mono tracks, right? For example, a left mono track with 75% of what would have been an isolated left channel + 25% of the right channel and, similarly, a right mono track with 25% of what would have been an isolated left + 75% of the right. Then, sure, pan switch it fully to left and right.
Exactly. Plus the common use of mastering at the time was to optimize the recorded audio for printing on a vinyl disc, and if the grooves were too deep or the transitions to Sharp it could cause the needle to skip out of the track.
If your average listener is going to be listening on a mono device then a smart thing to do would be to pan one thing consistently to one side and the other to the other as the mono needle isn’t going to care where it’s getting its vibrations from. That would give you more resolution and more depth for the cut, as long as the final disc was only played in mono.
I’m not saying that’s the case for every recording but I’m pretty sure it has happened quite a few times back then while they were still figuring everything out.
Thank you, that’s the piece of info I never had. If it’s not a Reddit-level fact. The 2 channels were new and people wete trying things out and mind-altering substances were freely available as well, so judgment might have been hogtied at times.
At the time, there was sentiment that it was a way to sell two amplifiers and speakers instead of one, a suspicion furthered by the later arrival of quad, which for many was a bridge too far. Audio places tried that briefly and then went back to selling stereo. And may be why a certain generation looks askance at 5.1 etc.
There were other changes as well, tubes/valves to solid state plus hybrids…when I read about Cloud products in IT, it rhymes, marketing hoodoo inveigling into genuine tech appraisals.
Turns out early audio consoles with stereo didn’t have a pan knob. They had a pan switch. So choices were limited to left, right, or center (mono).
Wasn’t til later that the pan pot was invented allowing incremental panning and true stereo mixing.
That’s wild. But theoretically they could make two separate mono tracks, right? For example, a left mono track with 75% of what would have been an isolated left channel + 25% of the right channel and, similarly, a right mono track with 25% of what would have been an isolated left + 75% of the right. Then, sure, pan switch it fully to left and right.
That’s even more complicated.
Exactly. Plus the common use of mastering at the time was to optimize the recorded audio for printing on a vinyl disc, and if the grooves were too deep or the transitions to Sharp it could cause the needle to skip out of the track.
If your average listener is going to be listening on a mono device then a smart thing to do would be to pan one thing consistently to one side and the other to the other as the mono needle isn’t going to care where it’s getting its vibrations from. That would give you more resolution and more depth for the cut, as long as the final disc was only played in mono.
I’m not saying that’s the case for every recording but I’m pretty sure it has happened quite a few times back then while they were still figuring everything out.
Thank you, that’s the piece of info I never had. If it’s not a Reddit-level fact. The 2 channels were new and people wete trying things out and mind-altering substances were freely available as well, so judgment might have been hogtied at times.
At the time, there was sentiment that it was a way to sell two amplifiers and speakers instead of one, a suspicion furthered by the later arrival of quad, which for many was a bridge too far. Audio places tried that briefly and then went back to selling stereo. And may be why a certain generation looks askance at 5.1 etc.
There were other changes as well, tubes/valves to solid state plus hybrids…when I read about Cloud products in IT, it rhymes, marketing hoodoo inveigling into genuine tech appraisals.