A brilliant film emerged from these skirmishes – but its core insight still takes work to unpack. For generations, a persistent myth that black families were irreparably broken by sloth and hedonism had been perpetuated by US culture. Congress’s landmark 1965 Moynihan Report, for example, blamed persistent racial inequality not on stymied economic opportunity but on the “tangle of pathologies” within the black family. Later, politicians circulated stereotypes of checked-out “crackheads” and lazy “welfare queens” to tar black women as incubators of thugs, delinquents, and “superpredators”. American History X made the bold move of shifting the spotlight away from the maligned black family and on to the sphere of the white family, where it illuminated a domestic scene that was a fertile ground for incubating racist ideas.
Also, the US was VERY hesitant to enter the European war. There was a lot of support for the Nazis in the US. From some high ranking people. Like the first director of the OSS and the Dulles brothers (instrumental in forming the CIA and NATO). They wanted a separate peace with Germany, and to enter the European war against the Soviets. But luckily FDR was unmovable in his support of the Soviets against the Nazis.